This paper intends to study the implication of graffiti as a weapon of subculture in Bangladesh vis-a-vis its emergence as a new art form that symbolizes rebellion and a call for liberty, equity, and freedom. By dint of graffiti, the young generation of Bangladesh can express their desire to set themselves five from all the obstacles and let their inner voices be heard by others, which makes it the representative of the youth. This paper analyzes the multilayered and multifaceted terrains that graffiti behold and the way it contributes to the upheavals of youth breaking the shackles of oppression and taking an active part in the meaning-making process of the country. Lately, a surge of street art has been widespread, and through this, hopefully, the ruled class people, especially the youngsters, can voice their distress and address the authority. This paper will attempt to address and analyze all these issues in the light of the essay 'Subculture: The Meaning of Style' by Dick Hebdige.